Creative Pencil Drawing by Paul Hogarth

By Paul Hogarth

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Can work with any degree of charcoal or graphite, except maybe (laid) make I the hardest; but I take care to make my drawing on paper which breaks up the pencil strokes and the drawing reproducible by the line process. pencil drawing, even would not be retained. This But sometimes I could be reproduced always see to when reproduced it that ! the case if I lines sufficiently to The is character of a thus very largely used a smooth paper. have not succeeded in turning out drawings which In the studio, one works my finished artwork heat of drawing on location, however, elements of in black line, a white, grained I is more deliberately and I can suitable for reproduction.

Or a way through of a sense of failure to interpret what initially attracted me, but is is finished in abstracting or inter- feel obligated to cover every inch finished, it may seem like a personal triumph or an anticlimax, or both. Having got to know every inch of the drawing, Then I I am do not look able to at do so it again for three or four days, perhaps longer. dispassionately: if it does not come off, I just tear the drawing up. FARMSTEAD NEAR VIRGINIA, COUNTY MEATH, IRELAND, 1964 of a series of drawings Winter landscapes made on are sometimes difficult to find spring, however, the weather The is I built up and then to draw.

Up whenever the opportunity presents man (no longer made, unfortunately) itself is on my paper. One of the finest surfaces make up I is just as uneven as bear skins, Smooth What- good as this classic have ever drawn on was a Chinese paper, manufactured in thin sheets, laminated to the weight you require, then color dyed to taste. sheets, as stock a superb paper, but there are American, Dutch, French, and Italian equivalents, hand made from bamboo. This travels. I It comes in great with a soft grain exquisitely suitable for pencil and wash.

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