By Leslie Ross
Starting with the traditional worlds of Mesopotamia, Egypt, Greece, and Rome and relocating ahead via time, paintings and structure of the Worlds Religions explores the main faiths from nations and continents world wide, assisting readers greater comprehend the creations their ideals have encouraged. After tracing the historical past and improvement of a faith, the publication presents a common evaluate of its crucial ideals and key practices. It then bargains particular examples of ways works of art/architecture replicate that religions values.
The concentration of every bankruptcy is at the temples, church buildings, and non secular structures, statues, work, and different artistic endeavors and structure created by way of believers. every one consultant murals or structure is tested by way of its heritage, fabrics, symbols, colours, and styles, as its value is defined to the reader. With broad illustrations, those volumes are the definitive reference paintings on artwork and structure of the worlds religions.
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Additional resources for Art and architecture of the world's religions
London: Thames and Hudson, 1982. Gimbutas, Marija. The Living Goddesses. Berkeley: University of California Press, 1999. Guthrie, R. Dale. The Nature of Paleolithic Art. Chicago: University of Chicago Press, 2005. 23 Art and Architecture of the World’s Religions Hackett, Jo Ann. “Can a Sexist Model Liberate Us? ” Journal of Feminist Studies in Religion 5, no. 1 (1989): 65–76. Hawkins, Gerald. Stonehenge Decoded. London: Fontana, 1970. Hayman, Richard. Riddles in Stone: Myths, Archaeology and the Ancient Britons.
7 Terracotta statuette from Cyprus ca. 1420 –1200 bce. New York: The Metropolitan Museum of Art / Art Resource, NY. ”29 The older Cycladic example shown here has been dated to ca. 2700 –2500 bce and is typical of many other ancient marble figurines from this Aegean region. 30 Several different types of statues were produced, including seated male figures playing harps and other musical instruments, voluptuous and rounded female figures, violin-shaped figures, as well as the relatively slim and schematized nude female figures most often featured in studies of Cycladic art.
The major Assyrian god, Assur, similarly also had many of the attributes of the Sumerian sky god, An (or Anu). Although the names and roles of the deities evolved and were slightly altered in successive phases of history, and some deities were especially prominent and venerated in particular locales during specific periods, in general there appears to be a remarkable sense of similarity and continuity in the beliefs and religious practices among the civilizations of ancient Mesopotamia. PRINCIPAL BELIEFS AND KEY PRACTICES Evidence for the principal beliefs and key practices associated with religion in ancient Mesopotamia is based on archaeological and textual sources.